Issue °206, Winter 2025, out now

From What We Have
JASMINE TOGO-BRISBY in conversation with IOANA GORDON-SMITH

Kia Whitingia E Te Rā, Kia Puhipuhia E Te Tau / Let the Sun Illuminate and the Wind Blow
HANA PERA AOAKE on MARK ADAMS as manuhiri

Generation Kōhanga
TE ARA MINHINNICK, ATARETA BLACK, and MAIA WHAREWERA-BALLARD in conversation

 
Plus a conversation with Jody Rallah, The Questionnaire: with Sophie Davis; and reviews on Gregor Kregar, Julia Holderness, Inga Fillary, Jae Hoon Lee, Georgie Johnson, Peata Larkin/Robbie Fraser, Hannah Whiting, Maania Tealei
Join the artists in conversation with Kairauhī Curator Robbie Hancock on Wednesday 30 July at 6pm.
This July, Arts Makers Aotearoa (AMA) will be launching a new service, the Artist Advice Bureau. Here, we speak to Art Aunty Claudia Jowitt, who will be hosting drop-in (or Zoom-in) sessions at Samoa House Library on Karangahape Road, offering independent advice and advocacy for artists trying to navigate the industry.
The artwork, by Graham Tipene and Amy Hawke, is on view 17 June through 13 July at Viaduct Harbour.
The sculpture was designed and constructed by emerging architects George Culling, Oliver Prisk, Henry Mabin and André Vachias.
Recipients Quishile Charan, Harry Freeth and p.Walters will exhibiting at Tautai later this year.
The new exhibition offers a fresh take on how stories about Ngā Pakanga o Aotearoa the New Zealand Wars have been told on film.

Exhibitions on view

26 July – 4 October 2025
25 June – 20 July 2025
13 June – 25 July 2025
3 May – 27 July 2025
8 June – 24 August 2025
14 June – 11 October 2025
18 – 28 June 2025
12 April – 26 July 2025
14 June – 11 October 2025
Saturday 21 June, 10 – 4pm Monday 23 – Tuesday 24 June, 10 – 5pm
14 June – 12 July 2025
19 June – 12 July 2025

Digital stories

This July, Arts Makers Aotearoa (AMA) will be launching a new service, the Artist Advice Bureau. Here, we speak to Art Aunty Claudia Jowitt, who will be hosting drop-in (or Zoom-in) sessions at Samoa House Library on Karangahape Road, offering independent advice and advocacy for artists trying to navigate the industry.
Sally Dan-Cuthbert answers our questions ahead of her eponymous gallery's debut at the 2025 Aotearoa Art Fair, presenting works by Sabine Marcelis, Lisa Reihana and Edward Waring.
The artist draws upon her long-standing experience with textiles for her most recent series, comprised of nine bespoke abstract paintings.
Iti's A resilient heart like the mānawa was selected as the winning work by guest judge Professor Bonaventure Soh Bejeng Ndikung on 27 September 2024.
Two new senior leaders have joined the team at Creative New Zealand as the agency rolls out its revised funding system. We reached out to Claire Murdoch (Senior Manager, Arts Development) and Kent Gardner (Chair) to speak about the challenges facing the arts sector and their vision for its future.
Stuart Robertson launches limited-edition pieces to fund critical research for Antarctica New Zealand, in collaboration with Glorious Digital.
Auckland Theatre Company stage Prebble's acclaimed play, a modern romance for a medicalised age, 16 April–11 May 2024.
With the end of its first 100 days approaching, the National Party has remained quiet on its plan for the arts. We reached out to new Minister for Arts, Culture and Heritage, Hon Paul Goldsmith, in an attempt to gauge what's in store.
Raukura Turei is an artist and architect based in Tāmaki Makaurau Auckland. Her practice centres whenua and the countless relationships that are embedded within it. We spoke with her ahead of her presentation at the Melbourne Art Fair.
While the 60th Venice Biennale braces for a controversial change of leadership, eight Aotearoa artists look ahead to their presentations in the Curator's International Exhibition.
We speak to Ronnie van Hout about doubles, 'bad' dads and his new work at Melbourne Art Fair, where he'll be exhibiting with Darren Knight Gallery.
Matthew Browne's abstract paintings seem to hold a moment taut through their careful composition. We spoke to the artist about the pursuit of stillness in a noisy world ahead of his upcoming presentation with Wagner Contemporary at Melbourne Art Fair.
We speak to Tia Barrett about her installation He Pounamu Ko Aū, currently on view as part of the group exhibition Te Mōteatea a Maumahara at Wairau Māori Art Gallery, 10 August – 24 November 2024.
The Art Paper speaks to Hōhua Thompson about his upcoming exhibition Tuku / Transfer at Trish Clark Gallery, 18 October – 16 November 2024.
RUTH IGE is one of twenty-two artists and collectives featured in Aotearoa Contemporary at Auckland Art Gallery Toi o Tāmaki. We spoke to her about her oceanic paintings and the politics of Black portraiture.
JACK HADLEY is one of twenty-two artists and collectives featured in Aotearoa Contemporary at Auckland Art Gallery Toi o Tāmaki. We spoke to him about figurative sculpture, anthropomorphism and AliExpress.

Issue °200 spotlight

The fair runs 22–25 February, and will include a new commission by Julie Rrap.
Christina Barton reflects on a turning point in the artist’s practice and a milestone in the emergence of a properly contemporary art scene in Aotearoa New Zealand.
Anto Yeldezian discusses with Faisal Al-Asaad the ways in which his paintings, per Walter Benjamin, contest the West’s hold on the popular imagination and render history ‘plastic.’
Eleanor Woodhouse on the rare convergence of national pride and fashion in Adern's 2018 kahu huruhuru moment.
Becky Hemus on the not-so-quiet cacophony of daily pressures in Fiona Connor's 2014 installation at Hopkinson Mossman.

Sign up to our mailing list

Reviews and essays

Matariki Williams reviews Whakamoe's artwork in the exhibition Te Matau-a-Māui Contemporary Art: Gwen Malden Trust Commissions at Te Whare Toi o Heretaunga Hastings Art Gallery Heretaunga Hastings, 27 July – 2 November 2024.
Samuel Te Kani reviews the exhibition, which ran at Tim Melville Gallery, 20 September – 5 October 2024.
Alice Fennessy reviews the exhibition, which ran at peep, 28 September – 17 October 2024.
Jena Opie reviews the exhibition, which ran at Enjoy Contemporary Art Gallery, 6 December – 1 February 2025.
Gina Cole responds to Angela Tiatia's exhibition The Dark Current, on view at Dunedin Public Art Gallery.

JOIN OUR MAILING LIST AND

Enjoy 15% Off

Your First Order