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From Auckland, Wellington, Christchurch, Dunedin
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Events and exhibitions to look forward to.
auction scene
John Perry finds paintings of Theo Schoon’s Maori rock art are in demand.
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Letter from somewhere
Judy Millar reflects on how the Internet is shaping our notions of place.
in my opinion…
Josie McNaught teases out the conundrum of public art funding.
profile
The interactions between humans and plants interest Zina Swanson.
in residence
In the streets of Bangalore, Ben Buchanan finds vinyl everywhere.
making it
Moths proliferate in Elizabeth Thomson’s new installation at The Dowse.
Profile
Gavin Hipkins is flying high with a hypnotic new feature film.
in residence
Brett Graham focuses on the fate of Manhattan’s early inhabitants.
Opening Shots
Around the Galleries.
features
A strategic essentialist in the Manawatu
Artist and educator Robert Jahnke has mentored a generation of Maori artists, creating a structure and environment that is unique amongst indigenous models for art education. Linda Tyler talks to his students.
ARTISTS ON THE EDGE OF AN EPIPHANY
How does the mysterious process of creative thinking happen? Sue Gardiner asks a group of artists about their elusive ‘light bulb’ moments when ideas arrive seemingly out of the blue.
Exploring the materiality of time
South African artist William Kentridge talks to Dan Chappell about his most spectacular work to date, The Refusal of Time, which takes on the challenge of making time visible.
A FEISTY PHOTOGRAPHIC SOCIETY
A memorable survey exhibition and a new book celebrate PhotoForum’s 40th anniversary. Virginia Were ἀnds out what makes this New Zealand photographic society so special.
GALLERIES IN TRANSITION
New Zealand’s public galleries are in a state of transformation – many with exciting new building developments underway. Art News takes a look behind the hoardings.
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William Kentridge, The Refusal of Time, 2012 (Installation view at The Metropolitan Museum of Art, 2013).
Music and Soundscape Philip Miller.
Video Editing, Catherine Meyburgh – Dramaturg, Peter Galison.
Five-channel video with sound, 28 minutes, with megaphones and breathing machine (‘elephant’). State Art Collection, Art Gallery of Western Australia. Purchased through the TomorrowFund, Art Gallery of Western Australia Foundation, 2013.